MARI CAMILOTI
solo at Robin Howard Theatre, 2013 photo: Helena Miscioscia
anthologyofamess collage: Mariana Camiloti
Alive Dance Company Comission performances in 2015 and 2016 at Chelsea Theatre
DansLAB residency at The Hague, NT 2013
by anthologyofamess at the Bunker theatre, 2017
dance film trilogy in collaboration with Petra Soor, AOAM- Devon, 2016
DansLab residency, The Hague, 2013
by anthologyofamess at the Bunker theatre, 2017
Anthologyofamess at Refine Residency -Chisenhale Dance Space, 2014
The Place Prize finalist, 2011 photo: Gabriela Tropia
Finalist of The Place Prize for Dance 2011 photo: Chris Parkin
Alive Dance Co Commission, 2015 at Chelsea Theatre
All Those Environments in Which We Existed for Hundred and Fifty Years Photo: Maria Andrews
by anthologyofamess at the Bunker theatre, 2017
CHOREOGRAPHYING
I have choreographed in a range of settings including theatres, short dance films, site-specific works and dance school productions. My piece Cameo, co- created and performed alongside Riccardo Buscarini and Antonio de la Fe, was commissioned by Bloomberg and a finalist for The Place Prize for Dance 2011. My solo 27 Dragonflies was performed at the Robin Howard Theatre and at the Agony Arts Festival in 2013.
I was commissioned by Alive Dance Company to create Turn Upside Down and Walk on the Sky with a cast of 17 dance inspired and passionate adults. I am also a founding member of anthologyofamess; a collective rooted in improvised engagement and SOLAB - A platform for dances, workshops and projects in collaboration with dance artist Petra Soor.
My interest in choreography and performance began as a dance student and spectator fascinated by its kinesthetic resonance and ephemerality. My approach is collaborative and informed by physical and sensorial experiences, background, imagination. In the process of researching and making, I often use improvisation as a way of open up a range of possibilities within a body moving in time and space. Whilst devising, I search for human connections, potential materials that are being inhabited or that can create e.g. environments, textures. I'm especially attentive to materials that vibrate and urge to speak out, vulnerable, instinctive, emotional and almost chaotic. I'm equally concerned with precision and refinement on clear composed structures.
(click on choreography titles above for more info)